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The roots of rock and soul

1950s Sample Sources

The 1950s laid the harmonic and rhythmic foundations that producers would mine for decades. Early rock and roll, jump blues, doo-wop, and gospel recordings from this era contain raw energy and simple groove patterns that translate surprisingly well under hip-hop beats. Very few 1950s records entered the sample-production canon immediately -- most were discovered by crate-diggers in the 1980s and 1990s.

The 50s sample pool is small but potent. Producers who dig this era prize the lo-fi warmth of the recordings and the unprocessed room sound of early mono tapes.

Jump BluesDoo-WopEarly R&BGospelRockabilly

Top sample sources from the 1950s

1

The Isley Brothers -- Shout

1959 -- R&B / Gospel

47+ samples

What was sampled

Call and response vocal chant

Sampled in

  • 1986Beastie Boys -- Rhymin and Stealin
  • 2002Missy Elliott -- Work It
  • 2013Kanye West -- Bound 2

Key producers

Beastie BoysMissy ElliottKanye West
2

Little Richard -- Good Golly, Miss Molly

1958 -- Rock and Roll

22+ samples

What was sampled

Piano groove and drum pattern

Sampled in

  • 1986Beastie Boys -- She's Crafty
  • 1985LL Cool J -- Rock the Bells

Key producers

Beastie BoysLL Cool J
3

Bo Diddley -- Bo Diddley

1955 -- R&B / Rock

18+ samples

What was sampled

Shave-and-a-haircut drum rhythm

Sampled in

  • 1987Public Enemy -- Sophisticated Bitch
  • 1984Run DMC -- Rock Box

Key producers

Public EnemyRun DMC
4

The Olympics -- Big Boy Pete

1960 -- Doo-Wop

14+ samples

What was sampled

Vocal group harmony

Sampled in

  • 1989De La Soul -- Potholes in My Lawn
  • 1988Jungle Brothers -- I'll House You

Key producers

De La SoulJungle Brothers
5

Ray Charles -- What'd I Say

1959 -- R&B / Soul

12+ samples

What was sampled

Call-and-response piano and vocal

Sampled in

  • 1990Brand Nubian -- Slow Down
  • 1989De La Soul -- Say No Go

Key producers

Brand NubianDe La Soul

Explore other decades

See the sample relationships in action

Goat Music builds Sample Tree videos -- source and derivative, played side by side -- so you can hear exactly how each flip transformed the original.